MASTERPIECES OF FUTURISM AT THE PEGGY GUGGENHEIM COLLECTION
February 18 – December 31, 2009
Peggy Guggenheim Collection, Venezia
In the centenary year of the publication of Filippo Tommaso Marinetti’s founding manifesto of Italian Futurism, this special installation in the permanent galleries of the museum focuses on the Futurist masterpieces of the Gianni Mattioli Collection, with additional paintings, sculptures and works on paper from the Peggy Guggenheim Collection and other private collections. This small but mighty presentation includes iconic paintings by each of the five artists who signed the Technical Manifesto of Futurist Painting in 1910, Balla, Boccioni, Carrà, Russolo and Severini, and by other artists related to the movement (Rosai, Sironi, Soffici). A preliminary section alludes to related contemporary avant-gardes (Divisionism, Cubism, Orphism, Vorticism).
Umberto Boccioni, Dinamism of a Cyclist, 1913, Collezione Gianni Mattioli
The manifesto of futurism by Marinetti - february 20, 1909
1 - We intend to sing the love of danger, the habit of energy and fearlessness.
2 - Courage, audacity, and revolt will be essential elements of our poetry.
3 - Up to now literature has exalted a pensive immobility, ecstasy, and sleep. We intend to exalt aggresive action, a feverish insomnia, the racer's stride, the mortal leap, the punch and the slap.
4 - We affirm that the world's magnificence has been enriched by a new beauty: the beauty of speed. A racing car whose hood is adorned with great pipes, like serpents of explosive breath - a roaring car that seems to ride on grapeshot is more beautiful than the Victory of Samothrace.
5 - We want to hymn the man at the wheel, who hurls the lance of his spirit across the Earth, along the circle of its orbit.
6 - The poet must spend himself with ardor, splendor, and generosity, to swell the enthusiastic fervor of the primordial elements.
7 - Except in struggle, there is no more beauty. No work without an aggressive character can be a masterpiece. Poetry must be conceived as a violent attack on unknown forces, to reduce and prostrate them before man.
8 - We stand on the last promontory of the centuries!... Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
9 - We will glorify war -the world's only hygiene- militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.
10 - We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice.
11 - We will sing of great crowds excited by work, by pleasure, and by riot; we will sing of the multicolored, polyphonic tides of revolution in the modern capitals; we will sing of the vibrant nightly fervor of arsenals and shipyards blazing with violent electric moons; greedy railway stations that devour smoke-plumed serpents; factories hung on clouds by the crooked lines of their smoke; bridges that stride the rivers like giant gymnasts, flashing in the sun with a glitter of knives; adventurous steamers that sniff the horizon; deep-chested locomotives whose wheels paw the tracks like the hooves of enormous steel horses bridled by tubing; and the sleek flight of planes whose propellers chatter in the wind like banners and seem to cheer like an enthusiastic crowd.
It is from Italy that we launch through the world this violently upsetting incendiary manifesto of ours. With it, today, we establish Futurism, because we want to free this land from its smelly gangrene of professors, archaeologists, ciceroni and antiquarians.
1 - We intend to sing the love of danger, the habit of energy and fearlessness.
2 - Courage, audacity, and revolt will be essential elements of our poetry.
3 - Up to now literature has exalted a pensive immobility, ecstasy, and sleep. We intend to exalt aggresive action, a feverish insomnia, the racer's stride, the mortal leap, the punch and the slap.
4 - We affirm that the world's magnificence has been enriched by a new beauty: the beauty of speed. A racing car whose hood is adorned with great pipes, like serpents of explosive breath - a roaring car that seems to ride on grapeshot is more beautiful than the Victory of Samothrace.
5 - We want to hymn the man at the wheel, who hurls the lance of his spirit across the Earth, along the circle of its orbit.
6 - The poet must spend himself with ardor, splendor, and generosity, to swell the enthusiastic fervor of the primordial elements.
7 - Except in struggle, there is no more beauty. No work without an aggressive character can be a masterpiece. Poetry must be conceived as a violent attack on unknown forces, to reduce and prostrate them before man.
8 - We stand on the last promontory of the centuries!... Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
9 - We will glorify war -the world's only hygiene- militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.
10 - We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice.
11 - We will sing of great crowds excited by work, by pleasure, and by riot; we will sing of the multicolored, polyphonic tides of revolution in the modern capitals; we will sing of the vibrant nightly fervor of arsenals and shipyards blazing with violent electric moons; greedy railway stations that devour smoke-plumed serpents; factories hung on clouds by the crooked lines of their smoke; bridges that stride the rivers like giant gymnasts, flashing in the sun with a glitter of knives; adventurous steamers that sniff the horizon; deep-chested locomotives whose wheels paw the tracks like the hooves of enormous steel horses bridled by tubing; and the sleek flight of planes whose propellers chatter in the wind like banners and seem to cheer like an enthusiastic crowd.
It is from Italy that we launch through the world this violently upsetting incendiary manifesto of ours. With it, today, we establish Futurism, because we want to free this land from its smelly gangrene of professors, archaeologists, ciceroni and antiquarians.
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